AEA TRP500 Microphone Preamp Module for 500 Series and R84 Figure-Eight Ribbon Microphone AEA

TRP500 Microphone Preamp Module for 500 Series

The first product in AEA’s 3rd-generation of microphone preamps, the TRP500 leans on the side of neutral but is unlike other “clean” preamps because of its rich and musical tonality. Optimized for ribbon mics, the TRP500 offers up to 85dB of effortless gain for any microphone.

Features:

• Single-channel, 500 series format
• 85dB of quiet, DC-coupled JFET gain
• Ultra-high impedance (66,000 Ohms)
• Switchable 115 Hz or 230 Hz high-pass filter
• Switchable phantom power and polarity reverse

ENHANCE YOUR RIBBONS
Based on the circuit and topology of the company’s original AEA TRP preamp, the TRP500 has the low noise, musical sonics, and ultra-high gain and impedance (100,000 Ohms) that AEA is renowned for. The TRP500 excels at drawing out the warmth and lush sound of ribbon mics as well as other top-level microphones. With up to 85 dB of quiet DC-coupled gain, minimal path architecture, and a gentle 115 Hz or 230 Hz high pass filter, this preamp puts as little as possible between you and your audience.

HANDCRAFTED IN PASADENA
Like all AEA products, the TRP500 is handcrafted in Pasadena, California from locally sourced parts. AEA is a family-owned company with a small crew of skilled technicians, many of whom are musicians themselves.

HIGH IMPEDANCE MAKES A HUGE DIFFERENCE
The ultra-high gain DC-coupled JFET circuit has two input impedances: 11,900 Ohms with phantom power “ON” and 100,000 Ohms with phantom power “OFF.” The 100,000 Ohm mode brings out the best in passive ribbons and tube mics, and also provides a unique balanced input for vintage, high-impedance dynamic mics. This versatility ensures the highest sensitivity, bandwidth, transient response, and clarity possible for a wide variety of microphones.

EXCEPTIONAL PREAMPS
Passive microphones, coupled with AEA’s range of ribbon-specific preamps, are the key choice for discerning recordists who want total control over their signal path. AEA offers the RPQ2, RPQ500, TRP2 and the TRP500 microphone preamps, all of which provide unmatched clean levels of gain, and a high impedance. All AEA Ribbon Preamps all share the same topology and sound. The differences between each unit come down to extra features and form factor.

R84 Figure-Eight Large Ribbon Geometry Velocity Microphone

The AEA R84Studio Ribbon Microphone is an affordable Large Ribbon Geometry (LRG) microphone suitable for use by the most demanding audio professional or hobbyist. This “R84 Zone” is for you and other users to share your experiences. We expect to expand this area with practical illustrations, guides to tracking situations, and actual recording experiences. Our intention is to encourage and support your success and satisfaction as you become familiar with this mic’s unique features. If you are new to ribbons, you are in for a treat! Experienced users have discovered the R84 is an outstanding general-purpose microphone, ideally suited for solo and accent work. It is hard to find an application where this mic does not shine. It is a fine example of the natural sound and figure-8 directional sensitivity a quality ribbon mic delivers.

• Pure natural sound, just as you hear it when you’re placing your mic in the studio.
• Quick smooth transients that capture the feeling of being there without sounding like a recording.
• Extended bass and treble that captures the details without shoving anything in your face.
• A figure-eight pattern that focuses your recording on the sound you want.